Albert V. Breau
Biography
Albert V. Breau
Take note: List of art galleries and exhibitions at the end of this text.
Albert's Childhood
Albert Victorin Breau's life began in 1941, in Moncton N.B. By the time he was two years old his parents were divorced and while his twelve older siblings were placed in homes run by nuns, Albert went to live with his paternal Grandparents on a farm in the back woods of the Memramcook valley. Their nearest neighbors were an hour's walk away. It's understandable that his young formative years were spent in the presence of adults. All he had as playmates were cats, dogs and other farm animals, plus his fertile imagination.
"From the time I could walk, I started riding my dogs, and then I graduated to sheep. Once, I tried riding the ram, but he bucked me off, then head butted me black and blue. One of my uncles heard me crying and ran to my rescue. After that my grandfather let me ride one of his workhorses, a great big gentle chestnut called, Prince. I was four or five at the time and he'd lift me on and off that horse. I'd sit on him for hours as he pulled a wagon or walked up and down ploughing fields for next season's crops. When I wasn't riding, I was playing cowboys and Indians; sometimes I was the cowboy and other times the brave Indian warrior. The cats and chickens served as my enemies. The cows in the pasture were the buffalo that I hunted to feed my family. Once, my grandparents took me to the circus in Moncton; the lion trainer amazed me. A few days later I tried to convince my cats to play the lion's role, but they wouldn't cooperate, so I turned to my dogs. I had more success with them, but where I ran into trouble was when I tried to get them to jump through a ring of fire." he laughs. "They ran away, and I got a whipping for setting a hay field on fire."
"We didn't have any electricity, so I spent the long winter evenings at the kitchen table in the pale glow of an oil lamp, drawing stick men and horses and making up stories for each picture."
When he was eight he returned to live with his father and his new wife. His father beat him most of the time, so he was covered black and blue. Albert who had always stuttered found his handicap worsening anytime he was near his father. He was registered for school but since he had never been to school nor learned to cooperate with other children, plus his stuttering, he was placed in a special class for children with learning problems, communally called "stupid class", where the only thing they did to keep them occupied all day was drawing and handicraft. At the end of the day, the teacher would read them stories, Tom Sayer, Évangéline and the Acadian deportation. That's where he learned to hate the English. After school, Albert and his friends would meet the students from the English school and beat them up to defend their ancestors reputation. At night time, Albert returned to his English neighborhood and play with his English friends.
Ace Breau, the boxer
A Boxer was born
At home, the only privilege his father allowed him was to listen to the Friday night boxing matches (Gillette's cavalcade of sport). He dreamed of becoming a boxer. His father laughed and said: "You have two God damn left feet, you'll get your head knocked off." Albert laughs. "He was right, I did have two left feet, but there is one thing I have that he didn't realize, and that's determination, when my mind was set on something there was no turning back. When I was young and a member of my family told me I couldn't do something, because I didn't have the talent or the training I'd found a way to prove them wrong."
Albert returned regularly to his grandfather on weekends and holydays. Since he had difficulties learning at school, his father just pulled him out of school and said: "Stupid like you are, you are better of on the farm". By the time he was ten, he worked with the adults. "We'd get up at five in the morning and work until six, seven o'clock in the evening. But I can tell you one thing; not one hour went by that my mind wasn't making up some kind of stories. Through my imagination I lived different adventures from the time I woke up until I went to bed. And you want to know something; my mind has never stopped creating adventures for me. The only difference now is that I can see that the more appealing ones become reality."
Albert Victorin Breau stayed with his grandparents until the age of fourteen, when he decided to join his mother and older brothers and sister who had all migrated to Montreal. After some misaventure, he found his way to a boxing gym. He lost his first twelve amateur fights. After each lost he would hear his father's word: "You have two God Damn left feet..." True his perseverance, he persisted and won over a hundred amateur. The sportswriters named him "Ace" Breau, and continued calling him "Ace" right through to the end of his boxing carrier. As an amateur, his won over one hundred fights and numerous tournaments (Golden "Gloves, Diamond Gloves, Canadian championship) before turning professional. As a professional, he fought fifty eight times.
In 1967, he beat Fernand Simard to win the Canadian Junior welterweight Championship. He took great pleasure in flaunting each one of his victories in his father's face.
Albert, The Blacksmith
Thanks to his Mohawk wife, Eileen, he learned to read and write in his mid twenties. After his boxing career was over he started working as a blacksmith, a trade he had learned from his grandfather. He worked showing horses for a few years, until one horse didn't like Albert as much as he liked him and broke his right arm. While his arm was in a cast, Eileen bought him a little paint set from a craft shop. Laughing he says, "It's a good thing I'm left handed, other wise I never would have started playing with those oil paints."
The Artist
It wasn't long before his playing turned to serious painting and his life saw another change. Again, he was laughed at when he talked about becoming an artist. "Heh! An ex-fighter thinking he can become an artist..."
The Beginning
A Boxers' Fight
Since then, he has built a solid reputation as painter and watercolorist. And over the years he has also written some stage plays, a novel, and also pages of poetry. These are all things that other didn't believe he could do. "The only one who never questions me or my abilities was Eileen. We aren't together anymore, but I thank her for that." He also experimented with sculpture.
The Author
He took some classes in dramatic art. That's how he learned to control his stuttering.
Albert, in Forres's Role
And with time, he grew more comfortable with reading, and started writing poetry and also a few stage plays like "Le vernissage" which was performed in Laval, and the novel "Les ombres rouges" published in 1998.
Art as a Way of Life
When asked about his goals, his answer is spontaneous. "Longevity. I want to live to be a very old man so I can love my family and friends as long as possible. I want to paint, write and continue learning all I can about life. Oh yes, I also want to go on dancing and playing it by ear all the way. My grandfather, "Josh" Breau, lived a long full life. He died one week short of his 110th birthday. What I remember most about him is his big toothless smile and his hardy laugh. He was a kind gentle, man and I'm sure he passed on with that toothless grin creasing his leathered face and being thankful for his long and fruitful life. Many of my ancestors lived into their nineties and a few into their hundreds. Some of my uncles and aunties are into their nineties now and still going strong. And with genes like that, I have a good change of reaching my ultimate goal!"
Breau doesn't hold the ideological premise that life is all beauty or bliss. He realizes that a great deal of life is not pleasing and for that reason he seeks out rare glimpse of beauty - often infinitesimal, fleeting moments in nature- which he hold as precious and life renewing. His canvases show an intimate part of the real world. He is capable of capturing a sunset, a waterfall. A quiet peaceful world of snow laden solitude.
"I believe that all my small personal triumphs surpass the more recognizable emblems of false revelation, and truth penetrate man's entire existence far more deeply then do enormous passion, applause or financial reward. It is within these instants that I see the l meaning in life. I paint because I like painting, I strive to capture Nature's meaning and her ever-changing mood."
Albert Victorin Breau sees art as a way of life, a way of communicating. He intertwines his inner feelings with what he sees, and paints nature's statements fluidly on canvas.
Through Breau's paintings, we can see how the strain from the commercial world and lack of creative freedom and a more contemplative and meaning life style. He says, "Seclusion allows my creativity to blossom, gives me a chance to understand and appreciate the world that others have put on the back burner for to long. I'm conscious that I have but one life to live and I don't want to waste it on trivia?"
From Boxing to Art
"The experiment of art is a never-ending adventure", Breau says, he doesn't attack a project with a clear vision of reality. "Like other areas of my life, when I'm creating, I'm not totally conscious of all that is happening. My work takes on an energy of its own, and my job is to allow it to flow freely and to place no limitations on its."
"You know what amazes me the most? I still have the same enthusiasm when I'm facing an artistic challenge as I had when I was a young man stepping into a boxing ring. I had over a hundred and sixty fights, amateur as well as professional, and each one of those opponents offered different challenge- style-strength-size- speed- intelligence. Sometimes all of these qualities were found in one especially talented boxer. Like all other areas of life, art has its challenges- colour- form- size composition and nature's ever changing moods, plus my own limits."
Albert Victorin Breau stays true to himself and doesn't try to be something he's not. No shock treatment, or political massages - only composition based on tranquil scenes - scenes that simply resemble him.
Lise Fortin
Galleries exposing his artwork
| Galleries | Site | ||
| Covent Garden (US & West Canadian's Agent) | Wellington | Ontario, Canada | |
| Galerie Knowlton | Lac Brome | Québec, Canada | |
| Galerie Michel-Ange | Vieux-Montréal | Québec, Canada | |
| Canada Galerie Allur | Rosemère | Québec, Canada | |
| Artothèque | Montréal | Québec, Canada | |
| Chase créations | Beaconsfield | Québec, Canada | |
| Galeria | Montréal | Québec, Canada | |
Books containing his artwork
| Title | Author/Publisher | Year of publication |
| Le Guide Vallée Édition I | Félix Vallée | |
| Le Guide Vallée Édition II | Félix Vallée | 1989 |
| Le Guide Vallée Édition III | Félix Vallée | 1993-94 |
| Guide de Roussan | Éd. de la Roche | 2004 |
| Guide de Roussan | Roussan Éditeur | 2002 |
| Guide de Roussan | Roussan Éditeur | 2000 |
| Guide de Roussan Peintres du Québec | Roussan Éditeur | 1999 |
| Guide de Roussan | Roussan Éditeur | 1998 |
| Peintres du Québec | Roussan Éditeur | 1995 |
| Peintres du Québec | Roussan Éditeur | 1993-94 |
| Marché de la peinture au Québec | Roussan Éditeur | 1991-92 |
| Marché de la peinture au Québec | Roussan Éditeur | 1990 |
| Marché de la peinture au Québec | Roussan Éditeur | 1989-90 |
| 200 visions nouvelles | Éditions La palette | 1990 |
| Québec en peinture | De Roussan | 1989 |
| Charlevoix en peinture | Roussan Éditeur | 1988 |
| Investir dans les Oeuvres d'art | Éditions La palette | 1988 |
| Les Ombres Rouges - Roman | Éditions Émeraudes | 1998 |
SOLO Exhibitions
| Year | Gallery | Site | |
| 1998 | Le chevalet expo et lancement de livre | Laval | QC, Canada |
| 1993 | The City of St-John Gallery | St-John | NB, Canada |
| 1993 | Expo City Gallery | St-John | NB, Canada |
| 1992 | La maison Antoine-Lacombe | St-Ch. Borromée | QC, Canada |
| 1991 | Centre culturel | Grand-Sault | NB, Canada |
| 1991 | Centre Culturel de St-Félicien | St-Félicien | QC, Canada |
| 1991 | Arts works Gallery 21 | Glenns Falls | NY, USA |
| 1989 | Centre civique | Dolbeau | QC, Canada |
| 1986 | Arts and Mic | Châteauguay | QC, Canada |
| 1986 | Auberge La Diligence | Dolbeau | QC, Canada |
| 1986 | Cégep de St-Félicien | St-Félicien | QC, Canada |
| 1985 | Hôtel de ville de Chibougamau | Chibougamau | QC, Canada |
| 1985 | La Galerie McKinnon Piché | Lévis | QC, Canada |
| 1985 | Kingston Center | Kingston | ONT |
| 1985 | Château Laurier | Ottawa | ONT |
| 1985 | Centre francophone St-Boniface | St-Boniface | Manitoba |
| 1985 | Kings County Center | Sussex | N-B. |
| 1985 | Souris City Hall | Souris | Manitoba |
| 1985 | Winsweeped Gallery | Calgary | Alb. |
| 1985 | Algo Culturel Center Sault Ste-Marie | Ontario | QC, Canada |
| 1985 | Centre civique de Dolbeau | Dolbeau | QC, Canada |
| 1982 | Holiday Inn - Sault Ste-Marie | S Ste-Marie | ONT |
| 1982 | Holiday Inn - Souris | Souris | Manitoba |
| 1982 | Holiday Inn - -Edmonton et Calgary | ALB | |
| 1982 | Château Laurier | Ottawa | ONT |
| 1982 | Galerie Claude Lafitte | Laval | QC, Canada |
| 1982 | Centre culturel - Sussex | Sussex | N.B. |
| 1980 | Galerie Claude Lafitte | Laval | QC, Canada |
| 1979 | Galerie André Georges | Montréal | QC, Canada |
| 1978 | L'Atelier Vandergreest | Montréal | QC, Canada |
| 1977 | La Compagnie Rothmans de Pall Mall Canada Ltée | Sherbrooke | QC, Canada |
| 1976 | Expo St-Eustache | St-Eustache | QC, Canada |
| 1975 | Centre Culturel de Charlottetown | Charlott. | P.E.I |
| 1975 | Cambridge | Cambridge | ON, Canada |
| 1975 | Ajax-Pickering | Ajax-Pickering | ON, Canada |
| 1975 | Glasgow | Glasgow | N.E. |
| 1975 | St-Jean | St-Jean | TN, Canada |
| 1975 | Centre Culturel de Kingston | Kingston | ON, Canada |
DUO - TRIO Exhibitions
| Year | Gallery | Site | |
| 1993 | Galerie Restigouche | Campbelton | NB |
| 1993 | Galerie Ladouceur | Laval | QC |
| 1992 | Centre culturel de Cornwall | Cornwall | ON |
| 1990 | M A T | Laval | QC |
| 1989 | Galerie M.A.T. | Laval | QC |
| 1987 | La Galerie Gaby Lamothe | Grandmère | QC |
| 1980 | Galerie Claude Lafitte | Laval | QC |
| 1979 | Lynn Kottler Gallery | New York | USA |
| 1978 | Galerie Hudson | Hudson | QC |
Group Exhibitions
| Year | Gallery | Site | |
| 1993 | Galerie Restigouche | Campbelton | NB |
| 1991 | Galerie Michel-Ange | Montréal | QC |
| 1989 | Hôtel de ville de Québec | Québec | QC |
| 1988 | Galerie Michel Ange | Montréal | QC |
| 1988 | Auberge de nos Aieux | Les Éboulements | QC |
| 1987 | Galerie d'art La Relève | Laval | QC |
| 1986 | Galerie d'art Lisette Martel | Montebello | QC |
| 1985 | Johnson Gallery Edmonton | Edmonton | AB |
| 1982 | Galerie Claude Lafitte | Montréal | QC |
| 1982 | Galerie Claude Lafitte | Laval | QC |
| 1981 | Galerie Claude Lafitte | Montréal | QC |
| 1981 | Galerie Claude Lafitte | Montréal | QC |
| 1980 | Galerie Claude Lafitte | Laval | QC |
| 1980 | Galerie Claude Lafitte | Laval | QC |
Radiophonic & Television Interviews
| Title | Date | Animation | Réalisation | Channel |
| Beau comme le monde | 20.06.1999 | Josée Chasoillez | Michel Morin | CBC, Radio-Canada |
| Albert V. Breau | 1991 | Bob Mc Debelth | T.V. Montréal | CBC, Radio-CAnada |
| "À l'affiche" | 02.1982 | Danielle Charbonneau | Yvonne Lortigau | CBOFT-9, Canal 9 Câble11 |
| Droit au coeur | 28.03.06 | France Castel | Télévision Radio Canada |
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